![]() Perfect Timing is flat, uninspired, boring, and mind-numbingly unoriginal. Long story short, this album is absolutely terrible, and Nav is probably the worst rapper making music right now, if not ever. 21 Savage, Offset, Big Sean, Nav, and Gucci Mane have all gone a round with Metro, but how do these projects hold up against one another? Is Metro Boomin deserving of his position as rap’s most-famous producer, or are his collaborations just another effort to brand himself as something greater than he is? We ranked all 7 albums in Metro Boomin’s discography below to find out. Judging by the first week success of Savage Mode 2, Metro has done a good job convincing his fanbase that there’s more to his game than some simple drum programming. His positioning as the sole producer on multiple full-length projects has helped to establish his brand as a legitimate producer: someone who’s capable of commanding a studio and bringing the best out of an artist - an elevated version of your typical trap producer that can’t look up from FL Studio. But what he might lack in musicality, he makes up for in energy and reliability. His sound design is probably one of the most low-budget, opting for Omnisphere pads and stock midi pianos instead of collaborating with loopmakers overseas like many of his contemporaries (see Kenny Beats). His beats are simple, formulaic, and sparse. 21 Savage’s independent debut Savage Mode was a groundbreaking introduction to this dark aesthetic in 2016, and from that point on, Metro Boomin took over hip-hop.īut if we look past the repetitive tags, the attention around the Future and Drake collab, and the residual clout of Future’s 2015 mixtape run, do we still see Metro as an elite producer? It depends on how we view the role of the producer. But his sound evolved as he established deeper creative relationships with the younger Atlanta artists he worked with, and he single-handedly ushered in a new wave of minimal, synthy, murky trap that accentuated the violent energy of these new counterparts. ![]() His first tag, “Metro Boomin want some more” came from one of these tracks: a blown-out strip club anthem featuring Atlanta upstart Young Thug. ![]() Initially, he followed in his contemporaries’ footsteps, mainly the legendary Lex Luger, piecing together blaring trap with huge 808s and rattling hi-hats - a sound easily labeled as “noise” by suburban parents. Metro Boomin: rap’s most well-branded producerīorn Leland Wayne, Metro Boomin got his first break around 2010 with Gucci Mane and Waka Flocka’s Bricksquad Monopoly imprint in Atlanta. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |